Jan. 29, 2013 at 2:34pm with 192 notes View comments
Reblogged from newyorker
newyorker: Beginning in the late fifties, The New Yorker ran a series of short Talk items about captivating graffiti slogans. Most of these accounts were brief, including simply the location and a description of the graffiti in question. The magazine chronicled an early example of literary graffiti that would take on greater artistic significance. In 1957, a keen-eyed New Yorker contributor published a small item about someone who had recently visited an “espresso joint” in Greenwich Village. The visitor took note of a phrase that was written, in elegant calligraphy, on the wall beside his chair: “Who’s afraid of Virginia Woolf?” Years later, the playwright Edward Albee, who was often asked about the title of his 1962 play, told The Paris Review how he’d been inspired by a line of graffiti that he had seen scrawled on the wall of a Greenwich Village establishment during the mid-fifties. Perhaps this was the very same scribbling the magazine had noted in its pages nearly five years before the play’s début. Click-through to continue reading a history of polite graffiti in The New Yorker:  http://nyr.kr/WMyqDb

newyorker:

Beginning in the late fifties, The New Yorker ran a series of short Talk items about captivating graffiti slogans. Most of these accounts were brief, including simply the location and a description of the graffiti in question. The magazine chronicled an early example of literary graffiti that would take on greater artistic significance. In 1957, a keen-eyed New Yorker contributor published a small item about someone who had recently visited an “espresso joint” in Greenwich Village. The visitor took note of a phrase that was written, in elegant calligraphy, on the wall beside his chair: “Who’s afraid of Virginia Woolf?” Years later, the playwright Edward Albee, who was often asked about the title of his 1962 play, told The Paris Review how he’d been inspired by a line of graffiti that he had seen scrawled on the wall of a Greenwich Village establishment during the mid-fifties. Perhaps this was the very same scribbling the magazine had noted in its pages nearly five years before the play’s début.

Click-through to continue reading a history of polite graffiti in The New Yorker: 

http://nyr.kr/WMyqDb

  1. 1280800 reblogged this from somersaultmag
  2. trompester reblogged this from newyorker and added:
    Text scrawled on a wall later inspires the title for Who’s Afraid of Virginia Woolf? So rad.
  3. artsyyak reblogged this from newyorker
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  11. thesarahapple1 reblogged this from newyorker and added:
    DUDE… This is why tagging is still cool.
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  13. cravingdesires reblogged this from newyorker and added:
    Beginning in the late fifties, The New Yorker ran a series of short Talk items about captivating graffiti slogans. Most...
  14. misterthief reblogged this from newyorker
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